Social media addiction trials

Social media addiction trials


Share this post

Meta, TikTok, YouTube and other platforms are facing landmark “social media addiction” trials in California, where juries are weighing whether features like endless feeds and autoplay are harming young users. A lead Los Angeles case brought by a woman known as K.G.M. has become the template for hundreds of similar suits, and TikTok and Snap have already quietly settled while denying wrongdoing—signaling some companies may prefer deals over having their recommendation engines dissected in open court.

Plaintiffs say the danger lies in how the products are built: algorithmic “For You” feeds tuned to maximize watch time, autoplay chains that erase natural stopping points, and notification systems that pull teens back in with casino‑style cues. In opening statements, one lawyer compared Meta and YouTube to “digital casinos,” while a California judge has already ruled there is enough evidence to let a jury decide whether Instagram’s design caused a young woman’s distress.

Tech companies counter that parents and users control how long kids stay online and point to teen defaults like bedtime pauses, screen‑time nudges and content controls as proof they are trying to support healthier use, with YouTube even arguing it functions more like a one‑to‑many video platform than a classic social network.

Legal scholars say the outcomes could become a turning point for engagement‑driven design, even if verdicts are mixed. A ruling that treats certain recommendation or notification features as foreseeably harmful to minors could pressure platforms to strip out their stickiest mechanics for under‑18s, tighten teen defaults and more clearly document what they know about time‑on‑app and mental‑health impacts.

For families, teens and creators, that may translate into stricter age‑verification flows, heavier throttling or caps on recommended content for young users, and moderation changes that smaller creators worry will hit their reach and ad revenue first, even as supporters of the suits argue that a little extra friction is a fair trade for healthier feeds.


Share this post
Comments

Be the first to know

Join our community and get notified about upcoming stories

Subscribing...
You've been subscribed!
Something went wrong
Meghan Markle Shares Rare Valentine’s Day Photo of 4‑Year‑Old Princess Lilibet

Meghan Markle Shares Rare Valentine’s Day Photo of 4‑Year‑Old Princess Lilibet

Meghan Markle marked Valentine’s Day by sharing the clearest photo yet of Princess Lilibet’s face, offering a rare look at her 4‑year‑old daughter with Prince Harry. In the sunset shot, Harry beams while cradling Lilibet in a grassy field as she clutches red heart balloons, with Meghan captioning the image, “These two + Archie = my foreverines,” a line that quickly set royal‑watch social feeds buzzing. The picture, posted on February 14, drew extra attention because it highlights Lilibet’s matc


B P

Jill Scott Drops To Whom This May Concern, Her First Album in Over a Decade

Jill Scott Drops To Whom This May Concern, Her First Album in Over a Decade

Jill Scott is back with To Whom This May Concern, her first studio album in more than a decade, arriving February 13, 2026 with 19 tracks of grown‑woman neo‑soul, spoken word and jazz‑funk. Critics are calling it one of her most adventurous and empowering projects yet, weaving themes of healing, middle‑aged romance, divorce, community and self‑accountability into lush live‑band production and guest spots from Tierra Whack, Too $hort, JID, Trombone Shorty and more. You can read more in Variety’s


B P

Shaé Universe Honors D’Angelo With Soulful New Single “D’ANGELO’S JOINT”

Shaé Universe Honors D’Angelo With Soulful New Single “D’ANGELO’S JOINT”

Shaé Universe is making waves this week with her new single “D’ANGELO’S JOINT,” a soulful R&B tribute honoring the late D’Angelo and released to coincide with Black History Month. Written the day after D’Angelo’s death, the song blends Shaé’s airy, church‑trained vocals with a warm, live‑band feel that nods directly to his classic neo‑soul sound while still sitting comfortably in today’s R&B landscape. Visually, the track arrives with a lyric video and social clips built around the evolution of


B P

‘Wuthering Heights’ Rises to 34.8 Million Dollars at the Box Office for a No. 1 Debut

‘Wuthering Heights’ Rises to 34.8 Million Dollars at the Box Office for a No. 1 Debut

Emerald Fennell’s new Wuthering Heights is the clear box‑office story of the weekend, opening No. 1 in North America with an estimated 34.8 million dollars over its first three days, the biggest debut of 2026 so far. Powered by women, Wuthering Heights “digs up 34.8 million dollars at the box office for a No. 1 debut,” according to ABC News. Women are driving the turnout in a big way: studio polling suggests about 76% of ticket buyers were female, with Warner Bros. positioning the gothic, R‑rat


B P