Snoop Dogg has responded sharply to Daz Dillinger after his cousin accused him of blocking production credits and mishandling Death Row money. In a recent video, Daz claimed Snoop shut him out of producing on Tha Dogg Pound’s 2024 album W.A.W.G. (We All We Got) to keep more money for himself now that he controls Death Row Records.
After the comments started circulating, Snoop clapped back in his own clip, saying Daz “ain’t got shit to do but hate on me” and warning that he would “fuck you up… business wise,” not physically. He accused Daz of being “broke” and suggested he still had the power to hurt him financially if the public shots continued. HipHopDX has a detailed write‑up of Snoop’s response and the lead‑up to the latest flare‑up here.
Daz then took to Instagram to accuse Snoop of trying to “steal everything I own that was on Death Row” by forging signatures, withholding royalties and using artists’ money to pay staff. He pointed out that he’d sued Suge Knight in the past and suggested he might do the same to Snoop, insisting that the publishing and ownership are in his name and “the numbers don’t change unless… u a thief.”
@soseriuzradio Snoop Dogg sends message to cousin Daz as Death Row feud esclates 🫢 #snoopdogg #deathrowrecords #foryouu
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The back‑and‑forth has reopened long‑standing questions about who really owns what from the Death Row era and how fairly artists from that period have been compensated. For fans who grew up on Dogg Pound and Snoop’s early work, the family‑level feud adds a messy business layer to what was once seen as a unified West Coast legacy, and the HipHopDX piece traces how things got here.
