‘Avatar: Fire and Ash’ Soars Past $1 Billion at Global Box Office

‘Avatar: Fire and Ash’ Soars Past $1 Billion at Global Box Office


Share this post

James Cameron's threequel achieved the milestone Saturday at the New Year weekend box office.

After a bumpy 2025, the new year is off to a good start at the domestic box office, thanks to a varied menu of holiday titles that moviegoers are continuing to feast on before schools and college resume and extended work vacations end. Indeed, New Year’s weekend revenue looks to be a post-pandemic best.

Leading the pack, of course, is James Cameron’s Avatar: Fire and Ash, which flew past the $1 billion mark at the global box office on Saturday. Disney and 20th Century will announce full details Sunday morning. It’s another notch in Cameron’s belt, who already directed three of the four biggest movies of all time at the global box office, led by Avatar and followed by Avatar: The Way of Water and Titanic.

Avatar 3‘s global earnings through New Year’s Day (Thursday) were a mighty $935 million, including $266 million domestically and $699 overseas. On Friday, it earned another $14 million in North America from 3,832 theaters to finish the day with a domestic total of $280 million. Based on those returns, it should win the weekend with a chart-topping $36 million to $38 million as it crosses the $300 million mark in North America in addition to the billion-dollar milestone.

And, as of Saturday, it is one of only three Hollywood movies released in 2025 to cross $1 billion after fellow Disney titles Lilo & Stitch($1.038 billion) and the record-smashing Zootopia 2, which has grossed $1.51 billion to date since its Thanksgiving release.

And its still going strong. Zootopia 2 is expected to fall a scant seven percent in its sixth weekend to come in second with $18 million or more from 3,285 cinemas.


Share this post
Comments

Be the first to know

Join our community and get notified about upcoming stories

Subscribing...
You've been subscribed!
Something went wrong
Kidnapped or Captured? Venezuelan President Whisked Away by U.S. Forces

Kidnapped or Captured? Venezuelan President Whisked Away by U.S. Forces

U.S. forces’ capture of Nicolás Maduro has become one of the most contested moments of Donald Trump’s second term, with supporters calling it a long‑overdue arrest and critics describing it as a cross‑border kidnapping of a sitting head of state. The operation, launched in the early hours of January 3 under the name Operation Absolute Resolve, combined airstrikes on Venezuelan air‑defense and military sites with a special‑forces raid on a compound outside Caracas where intelligence agencies beli


B P

Bad Bunny, Big Stage

Bad Bunny, Big Stage

Bad Bunny is scheduled to headline the Apple Music Super Bowl LX halftime show at Levi’s Stadium in Santa Clara, California, on February 8, 2026. He was officially announced as the headliner on September 28, 2025, during the halftime of an NBC Sunday Night Football broadcast, in partnership with the NFL, Apple Music, and Roc Nation. In a brief statement released with the announcement, he described the opportunity as being “for my people, my culture, and our history,” referring to his Puerto Ri


B P

A Few Big Titles, The Whole Conversation

A Few Big Titles, The Whole Conversation

Awards season in 2026 is already shaped by a small cluster of titles that appear across most major ballots. One Battle After Another and Sinners are central in the film categories, while The White Lotus is prominent on the TV side, and the Golden Globes on January 11 are the first major ceremony where all three are in contention. In film, Paul Thomas Anderson’s One Battle After Another leads the 2026 Golden Globe nominations, while Ryan Coogler’s Sinners receives the highest number of nominatio


B P

What the Sean Combs Netflix Documentary Actually Covers

What the Sean Combs Netflix Documentary Actually Covers

A four‑part series from Netflix, Sean Combs: The Reckoning, traces the music mogul’s rise and the decades of allegations that later followed. Directed by Alexandria Stapleton and executive‑produced by Curtis “50 Cent” Jackson, it combines archival footage with new interviews to trace Combs’ rise in the music industry and the parallel history of accusations from former partners, employees, and associates. Across its episodes, the series centers the accounts of people who say they experienced vio


B P